My friend Luke Maxted is the Children and Families minister for the Chalfont St Peter Parish Churches and has self-published an amazing fold out book with his own translation of the creation story. This post originally appeared on his blog – you can find it and buy his book “In The Beginning” here.
The process of designing, making, and sharing In the Beginning has been surprisingly painful and vulnerable.
Really I should have seen it coming. I should have known that it would be incredibly hard and gut-wrenchingly hurtful, but I didn’t.
It’s been nearly a year since I first received a completed copy of the book and it went live for sale online. It’s not been an easy journey. There was a long time in which I didn’t even look at it because I felt an overwhelming sense of shame.
How strange that something which I poured my heart and soul into, took a fair financial risk on, and has largely (although not completely) been received with resounding praise and positivity, could lead me to such self-loathing.
Now on the one hand I know this of myself, that I have always been hyper-critical of the things that I do. Anyone who has heard me preach knows that almost everything I say is couched in self-deprecation. It seems only natural that I would feel pain at the prospect of sharing something that I have made. On the other hand I think it might be deeper than that. There is an apparent trend of depression, anxiety, and self-doubt that pervades the creative community. I have found myself asking why that is.
Why are creativity and the paralysing sense of vulnerability so closely linked? And what can I do about it?
Creativity and Humanity
I believe that at the core of humanity we are creative and compassionate. We are fundamentally relational and seek to express ourselves and our experiences to our communities. That belief is a significant part of why the creation narrative is special to me and why I wanted to find a unique way to share it with others. Rather than being an historical account of how the world was made I think Genesis 1 is a poem of identity, it is a lyrical expression of our spiritual DNA.
In days 1-5 we see God’s joyful self-expression in bringing everything-ness out of nothingness. He speaks and everything starts, each time adding an extra layer and increasing the complexity. He loves what he makes and calls it good (Genesis 1:4, 10, 12, 18, and 21). On day 6 God makes humanity and in doing so says that he is making men and women in his own image (v27), describing his creation finally as ‘very good’ (v31).
Now assuming that this is the start of the book and the first thing that you hear/learn about God you have to wonder what that image is. He hasn’t been described yet, we have no way of imagining his appearance, we only have his actions. His actions tell us that he is joyful, creative, and expressive. It seems to make sense that if that is all we know of God at this point and we are made in his image then that is what is true of us.
It makes little sense, however, if this creativity and joy of expression is inherent in us to find that it is also the cause of so much pain. So why is creativity so difficult?
Creativity, Vulnerability, and Risk
The clue to this, I think, is in in the rejection God experiences at the hands of his creation. Beginning in Genesis 3 and continuing throughout the Bible God is rejected by the ones he loves the most and is proudest of. We see it perhaps most strongly in the histories and the prophets where the people reject God and go their own way – Hosea is a great example of this.
Hosea is commissioned by God to marry a prostitute as a representation of Israel’s unfaithfulness (Hosea 1:2). This seems painful and cruel, but perhaps that’s the point. Whether using the metaphor of the unfaithful wife or that of the wandering child (Hosea 11:1-3)The pain of unfaithfulness and rejection is a pain that God feels as part of the result of his creativity. Worse for him is that his desire is to have her back. God is not giving up on the unfaithful wife but calls her back to himself (Hosea 2:14-3:1) and hopes for the return of the ungrateful child (Hosea 11:8-11).
Loving something, being proud of it, taking joy in it, comes with risk and vulnerability. If one cares about nothing one cannot be hurt. If one has no joy then one’s pain is reduced. Creativity, then, creates vulnerability and a possibility of hurt, pain, rejection, and all its accompanying emotions. We become anxious because we fear rejection, we feel ashamed because we experience ridicule. These feelings do not come because what we make has little value, but rather because we place such great value on them and the reflection that they are at the core of ourselves.
Perhaps, then, if the risk and fear are part and parcel of creativity then it really isn’t worth the effort…
But that would make the word a really boring place…and there are a few good reasons that I can think of the keep going.
Firstly I think the prophets help us again. They were the great dramatists of their time and were incredibly creative (or are given creativity) in how they conveyed their messages. Ezekiel 4 is my favourite example of this. Ezekiel is asked:
- to take a brick
- make it into a city
- put a frying pan as a wall between him and the city
- lie on his side for ages – until it wastes away
- prophesy to the brick with a dead arm
- make bread baked on top of poop and eat that for over a year
After that he has to shave himself and scatter/burn his hair and other such very normal things.
As strange as this is it’s important because the prophets were willing to look ridiculous to convey their message. If creativity causes vulnerability then these were some of the most vulnerable people in human history. They suffered great hurt – both physically and emotionally, yet they also achieved incredible things and stood before the most powerful people of their time demanding justice and a fairer society.
Much of creativity comes from having something worth saying, whether because we are expressing love and joy, or because we are sharing our sorrow and hurt in light of the pain of those people or things we love and cherish. The prophets show us that the vulnerability of that pursuit is worthwhile in what it achieves.
Secondly it is worthwhile because it enables and empowers others who are seeking to share their passions and imaginations.
Seeing that others are creating and showing their loves, fears, passions, and dreams often allows us to realise that we are not alone, either in their own experience or endeavour. That sense of commonality and solidarity is a fundamental part of the relationality that we all experience in one way or another. Sharing your creativity and imagination allows others to know that it is ok for them to do so.
Finally it is worth being creative and taking those risks because without them we are not ourselves.
If it is true that being creative, sharing joy, and expressing love are a part of our spiritual DNA then not doing those things is akin to being something you are not. You might as well try to be a chair or a turnip, because once you start to hide those things about yourself then you run the risk of stopping being a human.
Now you might be reading this thinking “Yes, but I’m not actually creative, so maybe I am a turnip.” but all of us have an imagination and something inside that is there to say. It is entirely possible that you just haven’t found a way to let it out yet. I can’t draw or paint or act or dance or anything else really, but then one day I tried folding some paper and it worked for me. There are so many things left to try… and if you find it scary then it may well be exactly the right thing for you to do.
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